Thursday, October 27, 2005
You know that scene in 'L'Auberge espagnole'...
This post needs editing and hopefully will get it soon. You get it tho.
Thursday, October 20, 2005
Diva: 2003-2005
Germans/Dildos/Queens
Not much else is happening. Monday night I left work early to walk with a couple coworkers to Soho. It was so cool to walk there. I never really see how the city is put together, I just pop up from the tube in the area I need to be. So, we walked for about an hour and then went shopping because the girls needed, ahem, some toys. Soho, for those of you who don't know is the hip, happening, sex district of London. It's also right in the heart of the West End. So, we found a promising store and went in to look at the dildos. While Amie and Jenny discussed the pros and cons of each, I looked at the vast array of strange gadgets and pointed out the really 'special' ones to the girls on the other side of the store. One thing in particular, in a special display on the counter caught my eye. It was mounted on a base, sticking straight up and was made of stainless steel. Of course, I wondered what it did. So, I grabbed it and nothing happened. Wondering what was up, I started toying with the knobs on the control console. Still nothing-so I just cranked the knob really fast and wham - I screamed and almost threw the thing across the store. NEVER make a dildo that causes a reaction like that. The thing pulsated with electrical current and I, in my inquisitiveness cranked it to the highest setting it had. So embarrassing. I looked like I had tourette's syndrome. Of course, after that the girls and I had to stand around and poke at it like it was alive and about to bite us. All of this very much amused the staff of the store.
After the porno store fun I met Rachel at the Apollo Theatre for a performance of Mary Stuart, about the last few days in the life of Mary, Queen of Scots. It was really a terrific production featuring two of the best female characters that we've seen. Both Mary and Elizabeth I were expertly played with such attention to detail and the other's character growth. The nuances were so pinpointed. It also had a wonderful design featuring a lot of rain in one scene. Here're some pics:
Sunday, October 16, 2005
Saturday, October 15, 2005
Large Man-Little Piano
A hostage to fortune, class and his sadistic superiors, Woyzeck's fate is played out in a series of nightmarish encounters. He stumbles through a world of macabre carnival, sexual betrayal and cruel oppression, pursued by the demons of his own paranoid fantasies. Pushed beyond breaking point, Woyzeck's last love-crazed act tragically destroys the only thing he truly cares for.
Sounds deep, no? With a play so layered with meaning, it would be easy for any company to mess it up. Luckily for me, Vesturport knows. Firstly, I have to mention the music; this was a semi-musical with new music and lyrics having been written by Nick Cave and Warren Ellis of The Bad Seeds. It was really superb. Every song worked both lyrically and stylistically. It was really a cool achievement. Also on the aesthetic front, the set was amazing. There were two levels, a la the Greek stage, both covered in grass and a crazy tangle of metal ducts and pipework upstage with people crawling around. Then, at one point, the outer surround of the higher level was removed to reveal the glass-enclosed POOL underneath. SOOOO much water imagery. As Marie went about her first act of sexual betrayal, in the pool, a chorus sang and the water bubbled. I've never seen something so sexually charged and emotionally riveting on stage. Also, while they consummated their affair, flowers fell from the ceiling and stuck into the stage, staying straight up and the water shot into the air in spurts-uh huh. Speaking of the affair, I should mention his entrance, which came via the ceiling, on bungee cables while singing a rock anthem. About half-way through the song, many people in the audience stood up and sang, as they were of course, his back-up singers.
At the end, for those of you wondering, Woyzeck has finally gone slightly mad (or has he?) and Marie must die. In the real-life story, he stabs her several times but in the play, he drowns her. The final act had been so expertly foreshadowed that when it finally happened, it was not really shocking but sort-of beautiful and cathartic. The genius of German expressionism is that it forces the audience into the head of the main character. In this case, when the time finally came, it felt, for the audience like a giant release; what we'd been waiting for. Throughout much of the play, Woyzeck and Marie had interacted with the water. It became almost home. Woyzeck, when spying on her, swam back and forth in the skinny tank while stripping down to his briefs. Emotional rawness/animal instincts played out with physical near-nakedness. Finally, nudity (while not complete) that wasn't gratuitous. The image that stays in my mind is not the final image as would be expected with both Marie and Woyzeck, having taken his own life, floating in the red-lit water but rather, the image I keep is from a few minutes before. Woyzeck is beat to a pulp by Marie's lover and left lying. The icon was so specific. For a brief moment, nothing happened and the audience was confronted with the image of a very strong man, soaking wet, naked to the world but for his briefs, lying defeated on the perfect green grass of his home. C'est magnifique!
Friday, October 14, 2005
Experimental Theatre...
Thursday, October 13, 2005
I bask in cliche...
Where the mind is without fear and the head is held high
Where knowledge is free
Where the world has not been broken up into fragments
By narrow domestic walls
Where words come out from the depth of truth
Where tireless striving stretches its arms towards perfection
Where the clear stream of reason has not lost its way
Into the dreary desert sand of dead habit
Where the mind is led forward by thee
Into ever-widening thought and action
Into that heaven of freedom, my Father, let my country awake
-Rabindranath Tagore (1910)
Wednesday, October 12, 2005
Even if Rome were a stop on the Piccadilly Line...
In other news, I've become proactive about my living situation. I finally had enough of feeling like an intruder in the house I pay to live in. While Rachel was in Scotland last week, I was playing that stupid game of leaving before Elias was up and coming home after he was asleep just because I didn't want to see him or talk to him. So, I found a new place that is closer to work, costs the same, has a bigger room, and is filled with gay guys. I think it'll be fun to live with new people for a couple months. The only down side is leaving Rachel. We'll still live in the same city though, just on opposite sides of it.
In honour of Becki's visit, here's a cute pic of us:
Should I be more concerned...
Because the President has nominated a "close, personal friend" to the Supreme Court or because that nominee, in correspondence with Bush uses language like this?:
- "You are the best governor ever...",
- "I was struck by the tremendous impact you have on the children whose lives you touch.",
- "Hopefully Jenna and Barbara recognize that their parents are 'cool' - as do the rest of us."
Never be in a situation where George W. Bush sounds more intelligent than you. Also, the hero worship kind of stuff she was writing to him is NOT a good sign. OOOOFF, she's so rough!! Read the NY Times article here.